Sarah Sze builds installations from ordinary objects, images, videos and fragments that can shift in scale from something almost microscopic to something architectural. Her work makes me think about how easily attention moves between those extremes now. We zoom into a screen, step back into a room, then return to a tiny detail. Perhaps scale is no longer only a property of objects. It has become a habit of looking.
https://www.fondationcartier.com/en/collection/artists/sarah-sze
Fondation Cartier Sarah Sze | Collection of the Fondation Cartier pour l'art contemporain — Fondation Cartier pour l’art contemporain Welcome to the new premises of the Fondation Cartier pour l’art contemporain at 2 Place du Palais-Royal, Paris.
Sarah Sze’s Tracing Fallen Sky combines steel, marble fragments, projected images and traces of the process that produced it. Physical objects and moving images overlap until it becomes difficult to decide where sculpture ends and image begins. I like that uncertainty. We increasingly experience the world through objects and screens simultaneously. Sze turns that ordinary condition into something we can actually stand inside.
https://www.fondationcartier.com/en/ways-to-visit/parcours-un-monde-reel
Fondation Cartier Parcours « Un monde réel » — Fondation Cartier pour l’art contemporain L’un des volets de l’Exposition Générale met en avant les relations entre sciences, fiction et création artistique. Il réunit artistes et chercheurs qui tentent d’imaginer d’autres manières de percevoir et de représenter le réel.