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Electronic Music

A genre characterized by the use of electronic instruments, synthesizers, and digital production techniques to create innovative sounds and rhythms, spanning styles like techno, house, dubstep, and ambient.

Teaching a Synthesizer to Breathe

On EARS, Kaitlyn Aurelia Smith built much of the music around the Buchla Music Easel, but the album never feels interested in proving how electronic it is. She composed first with the Buchla, then arranged parts for woodwinds and vocals, using granular processing to further reshape the material. Before composing, she even studied slowed-down recordings…

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The Algorithm Is Not the Composer

Autechre’s Confield, released in 2001, became closely associated with generative and algorithmic approaches to rhythm. Sean Booth has repeatedly pushed back against the idea that this means pressing a button and allowing software to compose randomly. Their systems use rules, recursive processes and real-time control, but listening and selection remain central. That distinction matters. When…

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Dub as the Glue

New Zealand duo Pitch Black, Michael Hodgson and Paddy Free, have been performing together since 1996. Their music moves between ambient electronics, acid lines, heavy rhythmic structures and dub. Their own description of the project is revealing: dub is the glue holding those different musical directions together. I like that way of thinking about genre.…

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Electronic Music by Correspondence

Brazilian composer Jocy de Oliveira was already combining electronic sound with theatre and multimedia in the early 1960s. For Apague Meu Spotlight, presented in 1961, technological limitations in Brazil led to an extraordinary working method: electronic material connected with Luciano Berio had to travel between Brazil and the Studio di Fonologia in Milan on tape.…

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The Subway Became Part of the Synthesizer

When Robert Henke and Gerhard Behles travelled to Hong Kong in 1996 for the International Computer Music Conference, Henke carried a recorder through Hong Kong and Guangzhou. Those field recordings later became part of Monolake’s Hongkong. The closing track, “Mass Transit Railway,” is based on sound captured inside a Hong Kong subway train. The album…

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A Computer Singing Its Own Farewell

Jóhann Jóhannsson’s IBM 1401, A User’s Manual began with an object that most composers would probably never think of as musical material: an old mainframe computer. His father, Jóhann Gunnarsson, had worked with the IBM 1401 in Iceland and recorded the machine on reel-to-reel tape decades earlier. Those recordings eventually became part of a composition…

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Producing an Album on Headphones

Floating Points made much of Cascade away from his normal studio. Sam Shepherd has described working in the Californian desert with a laptop and headphones rather than the larger collection of equipment available at home. The 2024 album nevertheless became an expansive return toward dancefloor-focused electronic music, with long tracks, Buchla-inspired rhythms and detailed electronic…

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Apollo Reverb

Apollo Reverb is an electronic soundscape by FDR-Sound, inspired by the Apollo missions and the atmosphere of space exploration. The piece approaches the subject through sound, texture and spatial movement rather than as a literal reconstruction of a space mission. It combines electronic composition and sound design to create a sense of distance, scale and…

The Timeless Art of Sound

Music is a universal language that spans across cultures and time, encompassing ancient rhythms and complex symphonies. This comprehensive exploration delves into the evolution of music through the ages, highlighting the emotional impact, therapeutic qualities, and the structure of music. It also delves into various music genres, the impact of technology, and the future trends, emphasizing the cultural significance of music, its role in education, in film and media, as well as its enduring power in the digital age and the live experience, signaling the timelessness and future possibilities of this art form.

FDR-Sound

Music project FDR-Sound Electronic Music Made in Ableton Live FDR-Sound is an independent electronic music project by Frank De Rop, based in Antwerp, Belgium. The project explores a broad range of electronic music, moving between ambient, experimental soundscapes, atmospheric compositions and more rhythm-driven electronic productions, including EDM and drum & bass. Each release can take…