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City Photographed Before

A City Photographed Before It Disappears

Memoria y relato. Fotografía en Puebla looks at photographs made in Puebla from the mid-nineteenth century through the 1940s, drawing from public and private collections and including professional photographers, amateurs, visitors and anonymous makers. Museo Amparo deliberately avoids presenting a complete history of photography. Instead, the exhibition follows smaller visual stories through which ideas of the city and its inhabitants were constructed. That approach becomes even more interesting because the museum has invited people in 2026 to add contemporary photographs of Puebla to a “living archive.” Historical photographs can easily acquire an authority they never possessed when they were made. They seem to tell us what a place was. But every photograph is also a choice about what deserved to enter the frame. Placing old images beside contemporary contributions reminds us that a city is never finished being photographed, and its visual history is never complete.

https://museoamparo.com/exhibitions/pieces/313/memory-and-tale-photography-in-puebla

#Photography #Puebla #MexicanPhotography #VisualHistory

museoamparo.com Memoria y relato. Fotografía en Puebla | Exposiciones | exposiciones actuales | Museo Amparo, Puebla Organizada en el marco del 35 aniversario del Museo Amparo, esta exposición indaga en el vasto universo de fotografías producidas en Puebla desde me ...
Cloth Can Carry Two

Cloth Can Carry Two Histories

Zohra Opoku works between her upbringing in East Germany and her ancestral connections to Ghana, often using cloth, photography and personal imagery to explore identity and memory. What stays with me is that fabric already has a history before the artist touches it. It folds, travels, wears out and touches bodies. Memory does something similar. Perhaps that is why textile can feel more intimate than a perfectly clean surface.

We Proceed in the Footsteps of the Sunlight

#ZohraOpoku #GhanaianArt #TextileArt #Photography

Zeitz MOCAA We Proceed in the Footsteps of the Sunlight - Zeitz MOCAA Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) presents We Proceed in the Footsteps of the Sunlight, the first museum survey exhibition of Ghanaian-German artist Zohra Opoku. Tracing a decade of quiet revolutions in cloth, memory, and self, the exhibition brings together textured expressions of personal history and cultural inheritance, revealing an artistic journey in constant motion. […]
Documentary Photography

A Portrait Needs Its Surroundings

Gordon Parks argued that portrait photographers should leave the controlled studio and photograph people where they actually live and work. That sounds simple, but it changes what a portrait can contain. A room, workplace, gesture or background stops being decoration and becomes information about the person. Perhaps a face alone rarely tells us enough. Context can be part of the portrait rather than something to remove from it.

https://www.nga.gov/content/dam/ngaweb/press/exhibition/2024/5842/5842-walltext.pdf

#GordonParks #Photography #PortraitPhotography #DocumentaryPhotography