Fabienne Hess’s Lo invisible y sus tramas at Museo Amparo turns attention toward museum staff whose work normally disappears behind the exhibition. Images printed on silk move through the space while rarely shown collection pieces sit beside familiar works. I like this reversal of attention. Museums teach us what to look at, but they can also make the labour supporting that act of looking almost invisible. An exhibition does not simply appear on a wall. It is built from hundreds of decisions, gestures and forms of care that usually remain outside the frame.
https://museoamparo.com/exposiciones/piezas/315/lo-invisible-y-sus-tramas
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