For Obras extraordinarias in Santiago, Carolina Illanes reconstructs a fragment of a politically charged residence at full scale while working with housing archives and documents. The gesture fascinates me because architecture becomes evidence. A room is never only walls and dimensions; it can contain assumptions about power, privacy and who is allowed to occupy space comfortably. Rebuilding part of a structure inside a museum does not simply reproduce architecture. It removes the building from normal use so that its politics become much harder to ignore.