Interactive art changes through the actions, presence or input of its audience. Sensors, software, sound, projection and physical interfaces can turn viewing into participation and make each encounter with the work different.
Rae-Yen Song’s new installation at FACT Liverpool contains something unusually literal at its centre: a living pond. The exhibition •~TUA~• ?? •~MAK~•, opening on 18 September 2026, combines sculpture, sound and moving image within an imagined subaquatic world shaped partly by the artist’s family histories and diasporic mythology. Cameras observe microscopic life and movement inside…
Invisible Attractor is a generative p5.js study built around an object that is never shown directly. Its presence can only be inferred through the movement of particles that bend, orbit and reorganise around an unseen force. The work explores how something invisible can still shape a visual field. Instead of drawing the central form, the…
Memory Grid is a generative p5.js study about visual memory. A regular grid slowly changes through movement, interaction and accumulated distortions. Each event leaves a subtle trace, so the image gradually carries the history of what has happened on the screen. The work explores how a digital system can remember without storing images in the…
